Сравнение версий Midjourney v8 и v8.1

Extreme close crop on a woman's face from the bridge of the nose to the chin only lips slightly parted, architectural sculptural sunglasses resting low on the nose, skin matte and flawless, lit by a single thin strip of light from the left, everything else is black

промпт точнее поняла 8ая версия, тонкая полоска света на лице, остальное всё увела в темноту, 8.1 поняла буквально и сделала чб, также в 8.1 более современные и стильные оправы очков и взгляд более естественный, а в 8.1 он уже более томный и постановочный. Также в 8ой версии кожа выглядит более натурально, есть прыщики на лбу у 2ой и 3ей девушки, в то время как у 8.1 кожа как будто уже после ретуши. Тут выигрывает 8 версия.

A woman in her twenties, strong jaw, dark eyes, no expression, hair pulled back tight, wearing a single off-white wool turtleneck, photographed from the chest up against a warm grey seamless, one large soft light source from the upper left, skin looks real - pores visible, not retouched into plastic --chaos 30 --ar 4:5 --raw --stylize 250 --hd

У 8ой версии более инетерсная внешность, более современные водолазки, 8.1 увела в зелёный холодный подтоон и сделала желтоватый оттенок лиц. Тут результат 8ой мне нравится больше.

A model sits alone at a small plastic table outside a very simple village café somewhere in the Greek islands. The table has a red-and-white check plastic tablecloth, clipped at one corner where it was lifting in the breeze before it stopped. On the table: a small glass of water, half a bread roll, a folded paper napkin. Nothing else. She wears a long pale pink knit dress with long sleeves, her dark hair down, sunglasses on even though she is in the shade of a striped awning. She is looking past the camera to the left, at something we cannot see, her chin resting on one hand. The light is midday Mediterranean shade bright everywhere, directionless, slightly bleaching. Three white plastic chairs at nearby tables are empty. The location is completely ordinary and the image is beautiful because it refuses to apologise for that. --chaos 30 --ar 4:5 --raw --stylize 250 --hd

результаты 8ой версии более консистентные между собой, более живые, менее постановочные позы, более приятные по цветам, а 8.1 как будто штормит, везде разный цветокор и эффекты

Full-length fashion editorial, model in a tiny draped bias-cut champagne satin mini dress, barefoot, walking on a white salt flat at noon, horizon perfectly centered, heat distortion in the air, shadow is sharp and black, nothing else in the frame, the emptiness IS the composition --chaos 30 --ar 4:5 --raw --stylize 250 --hd

у 8ой более естественные натуральне цвета, 8.1 как всегда накинула холодный зелёный подтон, у 8ой снова менее постановочные ракурсы и позы, в то время как у 8.1 всё наоборот - модель строго по центру идёт и смотрит на камеру, 8ая выигрывает, в ней больше жизни.

Playful fashion campaign still: a woman in an oversized cobalt blue linen shirt dress holding an enormous ripe watermelon with both hands, knee-deep in the turquoise Mediterranean sea, backlit by golden hour, she's laughing, the dress is wet at the hem, real skin real imperfection, Slim Aarons joy --chaos 25 --ar 3:4 --raw --stylize 350 --hd

у 8ой более естественные натуральные цвета, 8.1 снова увела в холодный зелёный подтон и жёлто-оранжевую кожу, у 8ой живые позы, в то время как у 8.1 постанова - модель по центру и смотрит в камеру, здесь я бы выбрала 1ую у 8ой и 2ую у 8.1

Editorial location: model in a loose terracotta linen co-ord leaning against a whitewashed curved wall in a Greek village, midday light, deep blue sky, one bougainvillea branch at the corner of frame, no tourist trappings, feels found not staged --chaos 25 --ar 3:4 --raw --stylize 350 --hd

у 8ой снова более натуральные цвета, 8.1 увела в зеленцу, здесь я бы выбрала 1ую у 8ой и 4ую у 8.1

Food editorial: a white ceramic plate with three perfect slices of heirloom tomato, torn burrata, five basil leaves, a ribbon of olive oil just poured still in motion, fleur de sel, on a rough linen tablecloth, shot from directly above, sunlight through shutters creating one stripe of warm light across the plate --chaos 25 --ar 3:4 --raw --stylize 350 --hd

у 8ой более минималистичная композиция, у 8.1 есть перегруз из-за полос света, но при этом считаю, что у обе модели неплохо справились, и передали аппетитность блюда. У 8ой снова более консистентные варианты, 8.1 штормит по ракурсам, 2ой ушёл больше в 3/4, а не вид сверху

Aerial fashion still life: a flat lay on sun-bleached wooden table - a glass carafe of rosé wine, a half-eaten fig, loose lavender sprigs, a folded butter-yellow linen napkin, and a small straw hat - all bathed in direct overhead sunlight casting precise shadows, colour palette warm and desaturated --chaos 25 --ar 3:4 --raw --stylize 350 --hd

8ая снова ушла в минимализм, простой кувшин, нет перегруза по свету, в то время как 8.1 накрутила своих фентифлюшек, форма графина сложнее, светотеневой рисунок рябит, цвета более блеклые, 8ая снова как будто более жизненная и реальная, и менее постановочная

Still life: a loaf of sourdough bread cut open on a raw oak board, the crumb structure is open and irregular like lace, steam barely visible, brush of butter mid-melt, one sprig of rosemary, a dark linen cloth pooling to the left, lit from an unseen right-side window warm, imperfect, sacred --chaos 25 --ar 3:4 --raw --stylize 350 --hd

8ая про минимализм и реализм, 8.1 увела в сильный боке, и как будто слишком выкрученная резкость в HDR стиле, прям отдаёт 2ух годичным стильком между 6ой и 7ой версией

Two tanned hands hold a ripe fig that has just been torn open, both halves visible, the interior a deep carmine graduating to pale blush at the edges, seeds glistening, a thin thread of juice running down the left thumb. The hands are a woman's no nail varnish, one thin gold band on the right ring finger, slightly sun-darkened skin. The background is entirely blown out to warm cream light, suggesting the outdoors in summer without specifying it. The focus sits entirely on the fruit: the exact texture of the flesh, the cluster of seeds, the colour gradation from red to pink. The light is warm, direct, lateral from the right, catching the wet surface of the fig interior so it shimmers. No surface, no prop, no context beyond these hands and this fruit. The image is about the specific pleasure of a perfect fig in summer heat. That is enough. --chaos 30 --ar 4:5 --hd

У 8ой чистая композиция, хороший свет, чистые цвета, минимализм и хорошая анатомия рук и пальцев, в то время как 8.1 снова накрутила эффектов, цветокора, шумный грязный боке, сомнительное количество пальцев

contemporary still life of a transparent plastic tote bag filled with assorted fresh flowers and green stems, condensation and water droplets visible inside, backlit with diffused soft studio light creating subtle reflections and shadows on the surface, delicate floral silhouettes visible through the crinkled plastic --chaos 25 --ar 3:4 --raw --stylize 350 --hd

у 8ой минимализм и чистые цвета, у 8.1 привет зелёный подтон, и вот эта вот сказочность как у 6-7ой версии, 8ая ближе к реальности, 8.1 к сказке

A woman sitting very still in a plain wooden chair in an empty room, white walls, afternoon light coming through a window just out of frame, she wears a sculptural ivory blouse with exaggerated volume at the sleeves, she is not posing she looks like she just forgot the camera was there, grain, quiet --chaos 30 --ar 4:5 --hd

у 8ой больше воздуха в кадре, более современный крой блузки, у 8.1 более близкий кадр, и она хуже следует промпту, модель не должна позировать, из всех генераций я бы выбрала 1ую у 8ой версии

A woman descending an escalator, shot from above at a steep diagonal angle, wide-angle lens creating strong perspective distortion the escalator steps recede sharply behind her. She wears an oversized grey pinstripe double-breasted blazer open at the chest, matching wide-leg bermuda shorts, cream ankle boots. A single sculptural fabric rose detail on the left shoulder. Her dark hair is slicked back, parted in the centre, falling straight. She grips the chrome handrail with her right hand, left hand in pocket, looking slightly downward not at the camera. The moving handrails on both sides are motion-blurred from a slow shutter, creating soft diagonal streaks of grey and chrome that frame her body. She alone is sharp. The escalator steps behind her are the same grey as her suit, so she almost merges with the architecture. The light is flat, cool, indoor the kind of light that exists in airports and contemporary art museums. Shot on 35mm, slight grain, no retouching. The image feels found, not staged. --chaos 30 --ar 4:5 --hd

у 8ой мне не хватило чёткости, кожа как будто мыльная, у 8.1 снова холодный зеленоватый подтон, но я бы выбрала 2ую у 8ой, а у 8.1 1ую и 4ую генерации.

High quality editorial fashion photograph of a tall blonde model with long straight hair, mid step dynamic pose, body slightly leaning forward, one leg extended forward and the other pushing off the floor, confident attitude, direct camera gaze, neutral expression. Wearing an oversized glossy black leather jacket, wide distressed beige denim jeans with visible seams and worn texture, black leather ankle boots with solid heel. Clean minimal studio setup, warm beige seamless background with soft gradient, high contrast fashion retouching, crisp shadows, controlled highlights, natural skin texture, subtle film grain, warm muted color grading, slightly desaturated palette. Soft directional studio lighting creating gentle shadows under the model and along clothing folds. Full body composition, camera at mid height with slight perspective emphasis on legs. Sharp fabric and leather texture details, modern minimal aesthetic. --chaos 30 --ar 4:5 --raw --stylize 250 --hd --v 8

у 8ой дефекты с анатомией, не хватает чёткости лиц, в этом плане 8.1 выигрывает и у неё более разнообразная внешность, фон чище у 8ой, у 8.1 больше пятен и виньетки

High quality photograph of a tall blonde fashion model, hair slicked back into a clean low bun, side profile walking pose with slight forward lean and relaxed posture, one hand in pocket, calm editorial expression looking downward. Wearing a structured sleeveless tailored beige vest with cinched waist belt, paired with ultra wide dark blue denim jeans with heavy drape pooling slightly at the floor. Minimal jewelry with small earrings. Smooth seamless studio background transitioning from muted olive green to soft yellow and pale gray near the floor. High contrast fashion retouching with precise shadow shaping, controlled highlights, natural skin texture, subtle film grain, slightly desaturated cinematic color grading. Directional side studio lighting creating sculptural shadows along the body and garment folds. Full body composition, mid height camera angle with gentle perspective elongation, crisp fabric detail, premium editorial fashion aesthetic. --chaos 30 --ar 4:5 --hd

у 8ой более чистые цвета, хороший свет, чистый фон, более правильная форма джинс, у 8.1 снова шумы и грязь на фоне, джинсы стали юбкой, обеим версиям не хватает чёткости кожи, есть мыльность

High quality photograph of a tall blonde fashion model with loosely tied messy hair and soft flyaways, in a dynamic walking pose, one leg forward, body slightly turned in side profile, hands in pockets, calm slightly detached editorial expression with soft unfocused gaze. Wearing a long oversized camel coat with minimal tailoring and fluid drape, paired with wide dark blue velvety trousers with natural folds, barefoot for a raw editorial feel. Clean light gray seamless background, smooth tonal transitions, high contrast fashion retouching with clean shadow definition and controlled highlights, natural skin texture, subtle film grain, muted warm tones with soft desaturation. Directional soft studio lighting creating delicate shadows along the coat and legs, gentle motion blur on face and edges enhancing movement. Full body composition, mid height camera angle with slight perspective elongation, modern minimal fashion editorial aesthetic emphasizing movement and fabric flow. --chaos 30 --ar 4:5 --raw --stylize 250 --hd

у 8ой более естественные цвета, соответствие промпту, интересно, что у 8.1 модель-мужчина, в данном случае мне нравятся 3я у 8.1, тут хорошо выглядит зелёный подтон и зерно заметно

High quality photograph of a tall blonde fashion model with slicked back hair, wearing futuristic oversized black visor sunglasses, in a strong editorial stance with hands in pockets of a voluminous glossy black leather jacket, body slightly turned, chin raised, cold neutral expression. Paired with a long dark indigo denim skirt with structured seams and contrast stitching, full length silhouette emphasizing verticality. Seamless gradient background transitioning from deep teal at top to soft light gray near the floor. High contrast fashion retouching with sculpted shadows and sharp highlight control on leather, natural skin texture, subtle fine grain, cinematic cool toned color grading with deep contrast. Directional studio lighting from above and slightly to the side creating dramatic shadows under the jacket and along skirt folds. Low camera angle enhancing power and elongation. Crisp realistic reflections on leather and structured denim texture. Modern high fashion editorial aesthetic with a futuristic edge. --chaos 30 --ar 4:5 --raw --stylize 250 --hd

у 8ой более чистый градиент, контрастный свет, более современно и стильно выглядит одежда и поза, нет зелёного подтона и лица нормального цвета, у обеих версий проблемы с размером очков

High quality fashion still life photograph: a Jacquemus style structured mini handbag in saturated pistachio green, compact geometric silhouette, sharp edges, smooth matte leather with subtle highlights, minimal gold hardware. Bag centered, straight on front view, positioned upright directly atop an open rectangular container of pistachio ice cream - base fully contacting surface with slight compression, clear contact shadow, no floating. Thin strap attached both sides, hanging in a natural soft arc without touching ground. Ice cream in lighter creamy green with visible scooping marks, airy texture, subtle melt gloss. Container minimal, soft rounded edges, neutral off white. Seamless studio gradient background: pure white at top transitioning smoothly into saturated blue lilac at bottom, no banding or color contamination, fine uniform film grain throughout. Soft front top lighting with precise shadows emphasizing weight, subtle rim light separating bag from background. Strict color separation, ultra sharp focus, high micro detail, premium minimal fashion aesthetic. --chaos 30 --ar 4:5 --raw --stylize 350 --hd

у 8ой более чистый бесшовный градиент, хороший свет, кадры более современно и стильно выглядят, у 8.1 снова зелёный подтон, не тот цвет градиента и есть разделительная линия вместо бесшовного градиента, зато зерна от души накинули

a still life photograph captures a small, red, crescent shaped handbag with a single top handle, resting on a shiny lavender purple plastic chair. the chair has a slightly curved seat and back. to the left, part of another identical lavender purple chair is visible. the background consists of white square tiles with off white grout lines. a thin silver metal bar runs horizontally across the bottom of the frame, underneath the chairs. the lighting is even, highlighting the smooth texture of the handbag and the glossiness of the chair --chaos 30 --ar 4:5 --raw --stylize 350 --hd

у 8ой чистые цвета и хороший свет, стильная современная форма сумок, у 8.1 снова всё с зелёным подтоном, кадр менее цепляющий и насыщенный по цветам, сумки выглядят устаревшими

Sculptural still life, 85mm, medium format, tack sharp front to back. Bright lemon yellow bleeding into warm burnt orange gradient background. Centred and frontal composition. Base: low raw plywood platform, visible layered edges. On top: a large soft pouched caramel leather bag, gathered top compressed flat, smooth and voluminous. Placed diagonally on the bag: a single fringed pale ivory suede flat mule shoe, long fringe spilling over the sides. Tucked inside the shoe: a fragment of antique classical sculpture, weathered yellowed plaster, slightly chipped. Leaning against it: one small speckled stone. Rising from inside the shoe: two long thin stems - one topped with a fully open pale pink poppy, petals slightly translucent; one bare stem with a closed bud. Everything stacked vertically like a totem. Single broad soft light from upper left, one clean shadow to the right. --chaos 30 --ar 4:5 --raw --stylize 350 --hd

у 8ой по цветам генерации сочнее, но по текстурам лучше 8.1, а по пониманию промпта спорно, так как 8.1 совсем потеряла градиентный фон, а 8ка античную скульптуру

A woman stands facing the camera directly on a seamless white studio backdrop, shot in crisp black and white. She wears a sharply tailored wide-shoulder black blazer, single-breasted, nothing underneath. Her hair is pulled back tight. Her expression is completely neutral not cold, not warm, simply present. The lighting is two large softboxes placed symmetrically, eliminating all shadow from the background, with only the faintest shadow falling beneath her jaw. Pat McGrath skin: luminous, matte, every feature balanced. The silhouette reads as a graphic shape against the white the shoulders precise, the lapels perfect, the body contained. This is exactly what Meisel does for Zara Studio: fashion as a clean fact, the woman as a statement, the background as silence. Nothing competes with the clothes.

у 8ки более графичные и контрастные варианты, чистый белый фон, у 8.1 фон больше уходит в серый, и на фото как будто есть налёт, а также более вариативная внешность